Balancing Best Price and Best Service in AV Procurement: Is It Possible?

Carl Lukings • November 19, 2024

When it comes to procurement for professional audio, lighting, and video services, is it possible to balance the “best price” and “best service”? We think it is! Below are some insights that may help you navigate this challenge.


The Challenge of Price-Driven Procurement


Many municipalities and organizations are required to purchase from the vendor offering the lowest price. But is this approach always the best?


As taxpayers, we want assurance that public money is being spent appropriately, and that there’s no room for favouritism or backdoor deals. The intent is good, but in practice, this system often results in a “bare bones” solution. The theory behind it is to guard against preferential treatment or collusion, ensuring that public funds are used responsibly. However, focusing solely on the lowest price can often result in solutions that are less than ideal.

The Problems with Choosing the Lowest Price



The most common scenario is when an RFQ (Request for Quotation) or RFP (Request for Proposal) is posted publicly, allowing various companies to bid. If the RFQ or RFP is not tightly written, there’s often room for companies to offer lower-cost equipment that just meets the minimum requirements.


For example, imagine a school requesting a 500W 12” speaker. This could mean a speaker priced at $200 or one that costs $5000. Without specifying a brand, model, or additional details, a purchasing department might not know the difference, and they may purchase the cheapest option. The results will vary significantly depending on the choice. If the users expected a $4000 professional speaker and end up with a $200 unit, they will be disappointed. On the other hand, if they were hoping for a $150 speaker, they might be pleasantly surprised. But if they needed something like the $5000 model, then the money spent on the $200 speaker was wasted, and they may need to start the process over when the equipment fails.


This situation may sound extreme, but it’s one we encounter regularly.

Avoiding Vendor Interaction: A Common Misstep



Another challenge arises when technicians or instructors avoid interacting with vendors. They may be reluctant to ask questions or seek help from dealers when preparing their RFP or RFQ documents. The reason? They don’t want to waste the vendor’s time if they end up not winning the contract.


We’ve had many conversations with technicians and venue managers who have shared these stories. They often spend a great deal of time putting together specifications based on their knowledge or internet searches. Sometimes this works out well. Technicians who are familiar with the systems they need can be very specific, and they might get what they need at the best price.


But more often than not, technicians and venue managers have other responsibilities. They may not have the time to research the latest technologies, nor the experience that comes with regularly installing systems across various applications. This can lead to systems being designed and installed without proper consultation, often based on outdated or incomplete knowledge.

The Consultant’s Role in Large Projects



When a project reaches a certain size, many municipalities and organizations will bring in a consultant as an unbiased third party. This is often the right move for large, complex projects that require coordination between multiple consultants, engineers, and contractors. In these cases, the consultant takes responsibility for creating a specification that addresses everyone’s needs.


This can be an ideal scenario, especially for larger, more involved projects.

Smaller Projects: Is There Another Solution?


But what happens when the project is smaller, or when the budget doesn’t justify the fees of a consultant? Is there another solution?


Yes, there is.


The Role of Professional AV Contractors



First, it’s important to recognize that not all AV vendors or contractors are the same. Some are transactional, simply focused on completing the sale. Others are professional AV contractors who work to build long-term relationships, looking at both past projects and future goals.


When a municipality or organization is looking to purchase a new system, they can contact a professional AV contractor and discuss their project in detail. The contractor can provide valuable input without any contract or obligation. This might include equipment demonstrations, examples from previous projects, or budgetary pricing that reflects street value rather than MSRP or online prices.

The Competitive Edge of Professional AV Contractors


A professional AV contractor brings more to the table than just a quote. Here’s what sets them apart:


  • Collaboration with Manufacturers: The contractor will work with manufacturers’ representatives and design teams to ensure the right solution for your needs.
  • Thorough Needs Assessment: They will review your current system and specific requirements to ensure proper integration and maximum value.
  • Cost-Benefit Analysis: They will weigh the pros and cons of different products and solutions to ensure you get the best possible value from your investment.


By doing this due diligence, a professional AV contractor gains a competitive advantage when the bidding process begins. The result? You, the client, receive a solution that meets your needs while knowing the purchase was properly designed.


Building Strong Relationships for Long-Term Success



This approach may not work in every situation, but more often than not, building a strong relationship with a trusted AV contractor is the best way to get both the system you need and the best price.

 

Horizon Solutions: Balancing Value and Quality



At Horizon Solutions, we exist to balance value and quality, bringing innovative solutions to our clients. If you’re looking for a professional contractor committed to helping you achieve your audio, lighting, and video goals, we’d love to talk to you.


We’ve built strong relationships with institutions, municipalities, and organizations across the country. Reach out to us to discuss how we can help with your next system design or equipment purchase.

Audio mixing console in a dark studio with monitors showing a “No Signal” warning on stage
By Jordan Elgie • July 22, 2026
If you’ve spent any time behind a console, in a booth, or backstage, you know this feeling well. The lights stop responding. A video signal refuses to appear where it’s supposed to. A strange hum suddenly shows up in the PA five minutes before doors. Troubleshooting is one of those universal skills in audio, lighting, and video — no matter your role, your venue, or your experience level. And while every system is different, the way you approach a problem matters just as much, or possibly even more, than tools you have in front of you. Recently, we surveyed 15 industry professionals across live sound, lighting, broadcast, and theatre. Different backgrounds, different disciplines — but their advice lined up almost unanimously: When you’re troubleshooting a problem, follow your signal path and only change one thing at a time. It sounds almost too simple. But this mindset is what separates efficient problem-solving from panic-driven cable swapping. Follow the Signal Path Every technical system — audio, lighting, or video — follows a logical signal path. And when something goes wrong, this is where disciplined troubleshooting really matters. As you move through that signal path, the rule stays the same the entire time: only change one thing at a time. Not one change per device. One change — then test. Start at the beginning of the signal chain and work forward step by step. At each point, ask yourself two very specific sets of questions: Do I have signal here? And just as important: is it the right signal? Do I have power here? And again: is it the right power? Those questions alone will eliminate a huge amount of guesswork. Once you’ve answered them, you can then ask the next burning question: Where exactly does the system stop behaving the way I expect? That’s how you narrow down the problem instead of chasing ghosts. When you make a change — swap a cable, adjust a setting, move a patch — test it. If it didn’t fix the issue, change it back before moving on. This keeps your system in a known state and prevents you from stacking changes on top of each other. Working this way might feel slower in the moment, but it’s dramatically faster in the long run. You stay oriented, you stay calm, and you always know what actually helped — and what didn’t. One Change. Then Test. Here’s the part people know… but don’t always follow under pressure. Change one thing. One cable. One fixture. One channel. One setting. Then test. If it didn’t fix the issue, change it back. Only then do you move on to the next change. Why is this so important? Because changing five things at once might feel faster — but it guarantees confusion. If the problem suddenly goes away, you won’t know which change actually solved it. And if it gets worse, you won’t know what caused that either. Systematic troubleshooting gives you clarity. It turns a stressful moment into a controlled process.
By Samadhi Perera • June 9, 2026
Step 1: Plan Your Cable Paths Before you start plugging things in, take a moment to plan your routes. Run cables in straight lines where possible, and try to avoid high-traffic areas. Running your cables along walls, and the backs of set pieces or risers often make for cleaner, safer paths. Even in the best setups, it’s not always possible to avoid crossing where someone might walk. That’s where gaffer’s tape earns its reputation as a tech’s best friend.
Digital audio mixing console with sliders, knobs, and illuminated touchscreen displays
By Jordan Elgie • April 15, 2026
Learn how to set mic gain properly for cleaner audio, less feedback, and more consistent sound in live events, worship, and productions.
By Jordan Elgie • November 19, 2024
Essential Tips to Enhance Your Audio Experience – From Training to Equipment Upgrades
By Duane Myers • October 8, 2024
Upgrade Your School's Audio and Stage Systems for a Superior Experience
By David Brown • July 29, 2020
It certainly has been different times dancing on Zoom for over 2 months. Now we are coming up on a new dance season. Everybody has different levels of confidence in returning to activities and that is perfectly fine. Some kids can not wait to get back in the studio. Some want to continue but would like to do so from home. Of course, depending on class size there may be a rotation where you spend two weeks in the studio and one week at home. Maybe you will dance in the studio like normal (with new physical distancing guidelines) but want to practice at home. With these new situations Rosco has made a kit version of their popular dance floor called the Marley Mat . The floor that is used in the Rosco Marley Mat is a lighter weight version of Adagio floor that we use in our studios. That makes it perfect for dancing at home for all types of dance including ballet, jazz, acro, lyrical and even tap . It will have the same feel and “speed” of the studio floor. Being a lighter weight material allows the floor to be rolled up when not in use and unrolled and used immediately. The Marley Mat kit can be purchased for $ 149.00 (price current as of July 2020) plus shipping and tax. The package comes with a 5’ 3” by 6’ section of black or grey floor, and a roll of tape that would allow you to lay down and tape the floor 5 times. Additional tape can be purchased. You can find and purchase the kit from StageStore at the following link. StageStore is a great supplier in Ontario of theatrical type products. https://www.stagestore.ca/product/rosco-marley-mat-kit/
By Carl Lukings • July 27, 2020
Redefining the microphone for the meeting space
By Carl Lukings • June 9, 2020
Tech tips that can help your congregation make the transition back to church successfully
More Posts >